"Picasso - The Art of War" Part 6: Picasso's Legacy of Arrogance

Part 6: Legacy of Arrogance

“We all know that art is not the truth, art is a lie that makes us realize the truth” Pablo Picasso



Attributed Unknown Picasso Circo 1967 (c) DXK Collection

 In his own words, Picasso said it all, but what he doesn’t tell you is his work was full of truth; the truth of his own activities, deception and manipulation. Known for his womanizing and lack of respect for females, its ways to see how he conducted his life’s work. He was known to have said – “It is your work in life that is the ultimate seduction”. It was through his seduction of the art world that he was given the liberty to promote his propaganda, seed after seed of death and destruction – all in the cause of the Communist Party.

It was through his seduction those who bought his work supported his activities, believing he was a genius, but in reality because they were in a prominent position in society, those who first purchased his work were themselves believers in the cause of Communism. They gave his work credibility and the outlet to spew his hidden messages. Through this alliance he gained prominence and accessibility to representatives of various countries, including representatives and politicians from America.

Believing he was just an eccentric artist representatives of various countries allowed themselves to be seduced by the man and whether innocently or on purpose, confided secrets not to be shared outside their circle of people in the know; possible secrets to national security of a nation. It was through these interactions Picasso was able to play maestro and orchestrate his deception in using such information for the cause or planting seeds to the destruction of certain historical events.

Either this piece of art is his ultimate Cold War Trophy because it reveals his triumphant achievements or because he had such an ego, it reveals his arrogance. It is a very complex diary of his work for and with the communist party, plus his revenge on America. Let’s examine a few interesting letters and symbols here, and then I direct you to spending a few hours reading and examining Mr. Kenney’s work more carefully via his site. (Website address at the bottom of this article)

The letters contained within this piece have variant meanings, but first let’s look at the obvious translations: TARN and TT which stands for Tarntel and Tarnschriften. Tarantella or Tarntel in German means Tarantula or wolf spider. Tarnschriften is the name of a camouflaged publication printed from 1933 to 1945 wherein information was shared throughout the European community to avoid censorship by the Nazi’s. Within this publication many articles and stories were written by prominent members of the Communist Party to share secret information and messages. It is believed that the first “T” represents the writer from this publication that ensured these messages were printed within its pages. One can assume the translation of tarantula or wolf spider might have been his code name within the party, which is why Picasso made sure a spider, was included in this piece of work.

Now let’s look at the letters and numbers throughout this piece and what they refer to in history.

SS could only mean Soviet Secret Service which was created by Stalin when he established his network of intelligence gathering escapades throughout Germany, Great Britain, France, Japan and the United States. This network ensured the Communist movement was able to infiltrate the highest levels of each government and relay information.

SEC in French mean Secret or Secretariat which can only mean the person to whom was involved with the SS network of intelligence was or inferred as the Secretariat of France.

Letters surrounding the head of the woman:

S, T, Tarn, EL, ARM, C, P.I.C.A.S.S.O

The letters from P through O as referred to above clearly spell out Picasso’s name and are to make sure the person who this piece of work was sent to after its completion knew he was involved in everything mentioned in this his Cold War Trophy. The other letters can only mean specific words, terms or persons.

C – at the base of the nose surrounding what appears to be an image of Fidel Castro with full beard. This could only mean he was either referring to the two telegrams he received from his comrade Castro (telegram wishing him a happy 80th birthday in 1961 and upon being awarded the Lenin Peace Prize in 1962), or it is confirmation to a direct connection between the two men from a distance.

#51 is clear and has two meanings: First representing Castro’s involvement in the Cold War and his direct involvement with China’s Communist Party in the Korean War. The second refers to the completion of his work called “Massacre in Korea” wherein he depicted the slaughter of women and children by South Korean and US forces of Communist sympathizers. One has to wonder if Picasso ever has an original thought in any of his work, because this one piece of work looks just like the Goya painting “The Third of May 1808” wherein Goya shows Napoleon's soldiers executing Spanish civilians. Where Goya was a true artist in his work, Picasso’s depiction looks like a child’s rendition of the same artist work.

There are multiple Dragons throughout the piece holding paint brushes. The symbol of a dragon in connection to the Communist party refers to the Russian Folklore “Sword & the Dragon” both of which are also found in mythology and mystical findings. Both these symbols can also be attributed to the Ride of Valkyria. (More about the Ride of Valkyria in Part 8 of this series). These dragons can be found on the leg of the female, again in group 2 photos’s as it paints a white dove (this represents Picasso’s famous Dove of Peace) and again as it encircles a U in the black area, in the gray area as it forms an S and then it wraps around an A. These last letters can only mean U.S.A.

There are many themes throughout this piece of work, mythical and mystical as well as Cold War, World War II and Spanish War. Picasso through his ego and arrogance ensured the world would one day understand and praise him for his involvement and assistance in these three endeavors for the Communist Party.

Items I’ve pointed out in this piece throughout this series is only the tip of the iceberg found at http://romanofficer.com/Picasso/PicassoPage.htm . I highly recommend you spend some time to view and read Mr. Kenney’s amazing work in deciphering Pablo Picasso’s hidden Diary of deceit and vengeance against not only the world but against America and its freedom.


Next: "Picasso - The Art of War" Part 7: Counter Culture & the Vietnam War - The Promised Utopia

Picasso - The Art of War" is a series written & copyrighted to Author Elizabeth Kilbride 2011

All information contained within this series will be used in a book entitled “Picasso – The Art of War” all rights reserved and copyrighted to Elizabeth Kilbride. Permission is not granted to anyone for the copying or distribution of this information in print or media without the express permission of the author. This copyright is under both U.S.A and International Copyright Laws.

"Picasso - The Art of War" Part 4: Picasso's Secret Diary

“Painting is just another way of keeping a Diary” Pablo Picasso

Picasso didn’t just say the above quote, he lived it. Throughout his career he utilized his canvas to tell the story of his life; his inner most thoughts, actions, desires, and most importantly, his accomplishments - hiding propaganda messages within his work. His canvas was his Diary!

“We all know that art is not the truth, art is a lie that makes us realize the truth” Pablo Picasso

In his own words, Picasso said it all, but what he doesn’t tell you is his work was full of the truth; the truth of his own activities, deception and manipulation. Picasso was known for his womanizing and disrespect for females, so it’s easy to see how he conducted his life. Again, in his words, “it is your work in life that is the ultimate seduction”. It was his seduction of the art world that gave him the liberty to promote his propaganda. It was through the European art world where he planted seeds one by one of hatred for freedom. Yet it was that freedom that gave him his voice

In the two pieces of his work I have already brought to your attention, the Dove of Peace and the Chicago Picasso, one can clearly see they weren’t designed for the pleasure of the eye, but like a Shaman cultivating his seeds of deception, he used them to manipulate the weak with his hidden messages. Messages he used to further the cause of the Communist Party agenda.

Today, I am unveiling an unknown attributed work of Pablo Picasso, a gouache on paper that shows miniature art and cleverly hidden art, some of which contain symbols and codes that span decades - dated 1967. With each symbol, each set of letters and cleverly hidden character I will show a direct connection to historical events in which he was involved. This piece of art is his final message to the world – I’ve been able to manipulate and control you, world events while assisting my beloved Communist Party from my little piece of the world.

Attributed Unknown Picasso 1967 (C) DXK Private Collection



This is definitely one in a series of works the Picasso family is in search of – those missing pieces of art from 1965 – 1967 - they don’t want the world to see. Why would they want to prevent the public from seeing these pieces of art; maybe because they will clearly show just how dangerous the man was in life?

When this work was produced he was just about 87-years old and it’s not clear why he decided to put his propaganda work on one canvas like this; maybe he thought it would never be deciphered by anyone for centuries. We’ll it has been deciphered by someone and thank the heavens it has, because it clearly helps to unravel the destruction and complicated web that has been weaved by the Communist Party to control everything within the free world.

The United States Government suspected Picasso of being inside the highest level of the Communist Party, but he always denied it. Well this piece of art proves he was not only privy to information before it was made known, but he helped orchestrate it. How else would a painter know of such things?
In tomorrow’s segment, I will point out and explain certain symbols and codes to help you understand what they mean.





Next: "Picasso - The Art of War" Part 5: Picasso's Hidden Code
"Picasso - The Art of War" is a series written & copyrighted to Author Elizabeth Kilbride 2011

All information contained within this series will be used in a book entitled “Picasso – The Art of War” all rights reserved and copyrighted to Elizabeth Kilbride. Permission is not granted to anyone for the copying or distribution of this information in print or media without the express permission of the author. This copyright is under both U.S.A and International Copyright Laws.